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Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches, and frequently recall the composition of the Salus Populi Romani , an ...
The inscription shows that Heemskerck painted the painting as much for his colleagues in the Haarlem Guild of St. Luke as for the memory of St. Luke. The various disciplines reflected in the guild at that time were painting, sculpture, pottery, wood carving, gold- and silversmith work, painting supplies, and the arts of draughtsmanship, perspective drawing, engraving and painting itself.
Luke was credited with painting the original of the immensely popular Italo-Byzantine Cambrai Madonna, to which numerous miracles were attributed. [7] The original of that work was taken to France from Rome in 1440, and within four years at least 15 high quality copies had been made. [8] It was regarded as an example of St Luke's skill, and ...
Saint Luke Painting the Virgin (Giordano) H. St Luke (Hals) J. The Four Evangelists (Jordaens) M. Madonna and Child with Saints Luke and Catherine of Alexandria; S.
Self portrait, 1515–1520, Currier Museum of Art. Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. [1]
Jan Gossaert, St. Luke Painting the Madonna (c. 1520–1525), Kunsthistorisches Museum, Vienna. Saint Luke Drawing the Virgin, c. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. This was the classic subject for paintings given to the guilds
The painting shows St. Luke sitting at a desk reading with an ox at his elbow. [1] This painting was documented in the 18th century but was considered lost until the 1950s, when two tronies were discovered languishing in the storerooms of the Odesa Museum of Western and Eastern Art in 1958 by art historian Irina Linnik. At the time they were ...
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