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The Lamb opening the book/scroll with seven seals. The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
The red Dragon spoken of in Revelation 12:3 – "And there appeared a great wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads" [90] – are interpreted as symbolic of the seven provinces dominated by the Umayyads: Damascus, Persia, Arabia, Egypt, Africa, Andalusia, and Transoxania ...
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
3. The Lamb of God. The term "The Lamb of God" holds religious significance in Christianity, and primarily refers to Jesus Christ, carrying a range of symbolic meanings like purity, innocence and ...
Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.
Revelation 4:5: And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God. Revelation 5:6: And I beheld, and, lo, in the midst of the throne and of the four beasts, and in the midst of the elders, stood a Lamb as it had been slain ...
Before the throne is a slain lamb, "having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth". [10] The lamb's seven horns are represented by seven spikes fanned above his corpse, while the seven cherubic heads beneath him allude to the "seven Spirits of God". Each cherub is crowned by a tongued flame ...
After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim.