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Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The way she opens the album with “End of an Era” makes it seem like this is a new era, but it just sounds like more of the current one, if that makes sense. So I think maybe this will be the ...
Of course, Taylor was born to make music, and even if she does leave, she’ll eventually return to grab that pen and old napkin and craft even more great American hits. When she does, the world ...
Swift’s humanity is the reason T’Lene Hayes became a fan – and enough of one to spend $735 each on the obscenely marked-up $13.99 behind-the-stage tickets, which offer fans a view of the ...
An era is a span of time defined for the purposes of chronology or historiography, as in the regnal eras in the history of a given monarchy, a calendar era used for a given calendar, or the geological eras defined for the history of Earth. [1] Comparable terms are Epoch, age, period, saeculum, aeon (Greek aion) [2] and Sanskrit yuga. [3]
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.