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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
By the mid-1820s, men's fashion plates show a shapely ideal silhouette with broad shoulders emphasized with puffs at the sleevehead, a narrow waist, and very curvy hips. A corset was required to achieve the tiny waistline shown in fashion plates. Already de rigueur in the wardrobes of military officers, men of all middle and upper classes began ...
[12] [15] He regarded clothing as an art, and for the first time, designed clothing, not for a client's taste, but based on his impression of what women should wear. He presented finished model designs to clients and dress buyers in similar fashion to the modern-day haute couture designer, also using live models. [ 27 ]
1840s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; The Romantic Era: Fashions 1825–1845; 1840s Men's Fashions — c. 1840 Men's Fashion Photos (Daguerreotypes) with Annotations; Men's fashion plates of the 1840s at Victoriana.com
French fashion. Fashion in France is an important subject in the culture and country's social life, as well as being an important part of its economy. [1] Fashion design and production became prominent in France since 15th century. During the 17th century, fashion exploded into a rich industry, for exportation and local consumption. [2]
At Louis Vuitton, men’s creative director Pharrell Williams teamed up with Nigo, the designer of LVMH fashion stablemate Kenzo and founder of Japanese fashion brand A Bathing Ape, to co-design a ...
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