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A tzompantli, illustrated in the 16th-century Aztec manuscript, the Durán Codex. A tzompantli (Nahuatl pronunciation: [t͡somˈpant͡ɬi]) or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims.
Skull mounts are sometimes referred to as European mounts, western skull mounts, or western mounts. [1] They are a large portion of taxidermy work. Only the skull of the animal is displayed, which will have horns, antlers, or nothing attached to the skull depending on the animal. The mount does not take up much room because of the lack of neck ...
Anthropomorphic Iron Age wooden cult figures, sometimes called pole gods, have been found at many archaeological sites in Central and Northern Europe. They are generally interpreted as cult images, in some cases presumably depicting deities, sometimes with either a votive or an apotropaic (protective) function. Many have been preserved in peat ...
Celtic stone idols are Northern European stone sculptures dated to the Iron Age, that are believed to represent Celtic gods. The majority contain one or more human heads, which may have one or more faces. It is thought that the heads were often placed on top of pillar stones and were a centrepiece at cultic worship sites.
The Mari Lwyd. The Mari Lwyd (Welsh: Y Fari Lwyd, [1] [ə ˈvaːri ˈlʊi̯d] ⓘ) is a wassailing folk custom founded in South Wales and elsewhere. The tradition entails the use of an eponymous hobby horse which is made from a horse's skull mounted on a pole and carried by an individual hidden under a sheet.
A few huts, however, have evidence of wood burning, or mixed wood/bone burning. [ 100 ] Mammoth hut foundations were generally made by pushing a great quantity of mammoth skulls into the ground (most commonly, though not always, with the tusks facing up to possibly be used as further supports), and the walls by putting into the ground ...