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The music video for "Knock Knock" was directed by Naive Creative Production. Stop-motion effect was used in some of the scenes in the video. It earned almost 10 million views on YouTube within 24 hours since its release and set a new record for the fastest K-pop group music video to reach 30 million view count in only 152 hours.
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Knock Knock was ranked #3 on Pitchfork ' s list of best albums of 2018, with Ryan Dombal complimenting its varied styles and sounds, writing that the album is "a parallel musical universe, one based on a collector's knowledge and a sense of play, where the histories of dance music and hip-hop and psychedelia are all pulled together by the same gravitational force."
On August 18, 2023, Nakhonethap released a deluxe version of the extended play titled "ROOM202 dlux" which added two additional tracks. [24] On August 1, 2024, in collaboration with ISOxo, Nakhonethap's debut album under ISOKnock, 4Evr, was released. [25] [26] [27] The album featured eight tracks and was released by the 88rising label. [28]
Free Crack 2 is the second mixtape of the Free Crack series, following Bibby's debut mixtape Free Crack. [1] The mixtape features guest appearances from Lil Herb, Kevin Gates, Wiz Khalifa, T.I., and Juicy J. The production was handled by DJ L, Black Metaphor, and Sonny Digital, among others.
Knock Knock is a 2015 thriller film [a] directed by Eli Roth, [6] who also co-wrote the script with Guillermo Amoedo and Nicolás López. The film stars Keanu Reeves, Lorenza Izzo and Ana de Armas. The film was released on October 9, 2015, by Lionsgate Premiere.
Dance Vault Remixes: Get It Off/Knock Knock- Remix EP is the first EP by American R&B singer Monica, released in 2004 (see 2004 in music). [1] It features remix-versions of the 2003 songs : "Knock Knock" and song "Get It Off" both from After the Storm in the U.S. Both songs were released as a double A-side and B-side single. [2]
"Knock Knock" received generally positive reviews from music critics. AllMusic editor Andy Kellman felt that the song, along with Elliott's other contributions on the album, provides "a bulk of the most exciting material, with just the right amount of swagger added to the singer's more wide-eyed personality of the '90s."