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This concept called for the versatility of the art therapist. "The third hand can be summed up as the art therapist's ability to facilitate a person's artistic process (such as strategically helping the individual mix paints for a desired color or intervening at critical moments during art making)". [2]
Margaret Naumburg (May 14, 1890 – February 26, 1983) was an American psychologist, educator, artist, author and among the first major theoreticians of art therapy. [1] She named her approach dynamically oriented art therapy. [2] [3] Prior to working in art therapy, she founded the Walden School of New York City.
The diagram first appeared in Imagery and Visual Expression in Therapy by Vija B. Lusebrink (1990). [1] The Expressive Therapies Continuum (ETC) is a model of creative functioning [2] used in the field of art therapy that is applicable to creative processes both within and outside of an expressive therapeutic setting. [3]
Art therapy is a distinct discipline that incorporates creative methods of expression through visual art media. Art therapy, as a creative arts therapy profession, originated in the fields of art and psychotherapy and may vary in definition. Art therapy encourages creative expression through painting, drawing, or modelling.
British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
From ages 14–18 the adolescence will begin to have a deepening consciousness and emotions will be expressed more. They will also be very self-critical of themselves. During this time they will become aware of the third dimension. [3] Cane believed that this was the process of human development in expressive art therapy.
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Adamson was obliged to make up the financial difference himself, and so he kept art therapy alive until it was later officially recognised by the NHS, and prevented it from being subsumed under Occupational Therapy. The emerging field of art therapy was thereby protected by means of Adamson's professional and financial efforts.