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Vladimir Ćorović (Serbian Cyrillic: Владимир Ћоровић; 27 October 1885 – 12 April 1941) was a Serb historian, university professor, author, and academic. Ćorović served two terms as the Rector of the University of Belgrade and twice as the Dean of the Faculty of Philosophy in Belgrade.
Marko Čelebonović (1902–1986), artist; Đorđe Andrejević Kun (1904–1964) Serbian and Yugoslavian painter, designer of the Belgrade Coat of Arms and reputedly designed the Coat of arms of Yugoslavia and Yugoslav orders and medals; Janko Brašić (1906–1994), one of the foremost contributors to the naive art genre; Petar Lubarda [30 ...
Donia Nachshen (1903–1987), illustrator and poster artist; Misha Reznikoff (1905–1971), painter; Fyodor Pavlovich Reshetnikov (1906–1988), painter; Ivan Cherinko (1908–1948), painter and co-founder of Sh. Rustaveli Turkmen Art School; Mychajlo Dmytrenko (1908–1997), painter; Maria Prymachenko (1908–1997), folk artist
Rastko Ćirić (Serbian Cyrillic: Растко Ћирић, pronounced [râstko tɕîritɕ]; born 24 May 1955) is a Serbian multimedia artist and educator. His fields of interest are graphics, illustration, logo design, ex-libris , comics , animation and music.
Memorial Museum is located in a family house of the Belgrade artist Ljubica Luković, sister of Nadežda and Rastko Petrović. The house was built in the period from 1928 to 1935 as a typical house of the Professors' colony. [2] Fixed assets consist of the house and the land around the house.
In 1908 he exhibited with the group Zveno (The Link) in Kyiv organized by the artist David Burliuk and his brother Wladimir Burliuk. In 1910, he moved to Paris, [5] where until 1914 he was a resident in the artist's colony La Ruche together with Alexander Archipenko, Sonia Delaunay-Terk, Nathan Altman and others. He exhibited regularly in Paris ...
A former art teacher, she graduated with a BA in fine art and an MA history of art from the University of the Witwatersrand. [5] Her former husband, Gordon Schachat is also a prominent art collector in South Africa. [6] Art critic, Sean O'Toole singled out Allan for her "far more convincing" contributions to the film. [7]
The later New LEF ("Новый ЛЕФ" – "Novy Lef"), which was edited by Mayakovsky along with the playwright, screenplay writer and photographer Sergei Tretyakov, tried to popularise the idea of 'factography': the idea that new technologies such as photography and film should be utilised by the working class for the production of 'factographic' works.