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Nat Bhairav (or also written as Nut Bhairav) (Hindi: नट भैरव) is a Hindustani classical heptatonic raga of Bhairav Thaat. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music.
Raga Kalingda in Hindustani and Ragam Mayamalavagowla in Carnatic music have the same scale as Raga Bhairav, although the moods they create can be quite different due to the way they are expounded. According to Indian classical vocalist Pandit Jasraj , Bhairav is a "morning raga, and solemn peacefulness is its ideal mood."
The Bhairav raga itself is extremely vast and allows a huge number of note combinations and a great range of emotional qualities from valour to peace. There are many variations based on it including (but not restricted to) Ahir Bhairav , Alam Bhairav, Anand Bhairav, Bairagi Bhairav, Beehad Bhairav, Bhavmat Bhairav, Devata Bhairav, Gauri Bhairav ...
Udasi (raga) Udasi Bhairav (Bhairav Thaat) Uday (raga) Uday Chandrika (Asavari Thaat) (created by Pt. Milind Date) Uday Ravi (Bilawal Thaat) Uma Tilak (Khamaj Thaat) Ushhaak (raga made from shades of 3 ragas Sarang, Asavari and Bhairav) Utara Kalyan (raga) Utari (raga) Utari Basant; Utari Gunakali
The record features two North Indian ragas; Nata Bhairav, which is a morning raga created by Shankar in the mid-1960s by combining aspects of the ragas Nat and Bhairav, and Mishra Piloo, which is a popular evening raga. The original liner notes feature detailed descriptions of each raga's melodic and structural content.
The image of Ahir Bhairav is easily maintained with the characteristic passage ṇ Ḍ ṇ/r~ S [1] with the characteristic Bhairav andolan (oscillation) on komal re. Sometimes shuddha ni is used in the lower octave to emphasize the Bhairav character. [3] The Carnatic music equivalent to this raga is Chakravakam. Related ragas: Bhairav; Nat Bhairav
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
Kalai Nera Poonguil [TH - A Raga's Journey 2] Amman Kovil Kizhakale: Ilaiyaraaja: S. P. Balasubrahmanyam & S. Janaki: Tamil Abhogi / Abhogi Kanada: Naanandri Yaar Varuvaar [TH - A Raga's Journey 2] Malayitta Mangai: Viswanathan–Ramamoorthy: T. R. Mahalingam & A. P. Komala: Abhogi / Abhogi Kanada: Thanga Radham Vandadhu [TH - A Raga's Journey ...