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Large areas, such as sofas, beds, carpets, drapes and wallcovers, were covered in vibrant colors and patterns. Employing "psychedelic intensity", the colors and styles were influenced by India, Spain, and the Mediterranean. [3] In the 1950s and 1960s, specialized patterns in wall painting were developed.
In the 1980s, illusionary wall painting experienced a renaissance in private homes. The reason for this revival in interior design could, in some cases be attributed to the reduction in living space for the individual. Faux architectural features, as well as natural scenery and views, can have the effect of 'opening out' the walls.
Interior of the yemenite hagoral synagogue, Jerusalem: 1931: Image online [153] Bride with Blue Face: 1932: Private collection Image online [154] Wailing Wall: 1932: Image online [155] [156] Solitude: 1933: Tel Aviv Museum: Image online [157] To My Wife: 1933 to 1944: Image online [158] [159] Bouquet with Flying Lovers: 1934 to 1947: London ...
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
For example, Islamic art in many periods and places consists entirely of the decorative arts, often using geometric and plant forms, as does the art of many traditional cultures. [1] The distinction between decorative and fine arts is not very useful for appreciating Chinese art, and neither is it for understanding early Medieval art in Europe.