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Poster for the film The Cabinet of Dr. Caligari (1920), one of the first art horror films. Art horror or arthouse horror (sometimes called elevated horror) [1] [2] [3] is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.
This is a list of lists of horror films. Often there may be considerable overlap particularly between horror and other genres (including action, thriller, ...
The film was released on VOD and digital on October 6, 2015, and had a DVD release on February 2, 2016. [22] Two sequels, All Hallows' Eve: Trickster and All Hallows' Eve: Inferno, were released in 2023 and 2024, respectively. [23] [24] A spin-off, full-length film featuring Art the Clown, titled Terrifier, was released in 2016. [25]
Antichrist (stylized as ANTICHRIS♀) is a 2009 art horror film [5] written and directed by Lars von Trier.It stars Willem Dafoe and Charlotte Gainsbourg as a married couple who experience the accidental death of their infant son, after which they retreat to a cabin in the woods to grieve, where the man experiences strange visions and the woman manifests increasingly violent sexual behavior ...
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Velvet Buzzsaw is a 2019 American satirical black comedy horror film directed and written by Dan Gilroy and starring Jake Gyllenhaal, Zawe Ashton, Rene Russo, Toni Collette, Daveed Diggs, Tom Sturridge, Natalia Dyer, Billy Magnussen, and John Malkovich. The film had its world premiere at the 2019 Sundance Film Festival on January 27.
In filmmaking, the 1980 cult horror feature Cannibal Holocaust is often claimed to be the first example of found footage. [3] However, Shirley Clarke's arthouse film The Connection (1961) and the Orson Welles directed The Other Side of the Wind, a found footage movie shot in the early 1970s but released in 2018, predate Cannibal Holocaust. [4]
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...