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A restoration of the painting in 1934–36 confirmed art historian Roberto Longhi's attribution of the work to Raphael, and the removal of heavy repainting revealed the unicorn, traditionally a symbol of chastity in medieval romance, in place of a Saint Catherine wheel. [1]
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio ...
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The Lady and the Unicorn by Luca Longhi, portrait of Giulia Farnese. Luca Longhi (14 January 1507 – August 12, 1580) was an Italian painter of the late-Renaissance or Mannerist period, active in and near Ravenna, where he mainly produced religious paintings and portraits.
Fondazione Roberto Longhi, Via Benedetto Fortini, Florence, is an institute established by Italian scholar Roberto Longhi, who in 1971 left his library, photo library and collection of art "for the benefit of future generations" Lunghi, an alternate spelling of the name Longhi; Anigre, a type of wood with a common name of Longhi
Roberto Longhi, one of the most prominent Reggiane aircraft designers, in a letter to the Italian aviation magazine JP4, dated May 1976, stated that Regia Aeronautica Major Antonio Ferri asked him to study an engine option for the Reggiane Re.2005.
Saint Anthony Abbot Tempted by a Heap of Gold, c. 1435 Metropolitan Museum of Art. The Master of the Osservanza Triptych, also known as the Osservanza Master and as the Master of Osservanza, is the name given to an Italian painter of the Sienese School active about 1430 to 1450.
The Master of Pratovecchio (active between about 1435 and 1455) was an Italian painter of the Renaissance, named by Roberto Longhi in a 1952 article on the basis of stylistic similarities of a number of works to an altarpiece painted for the monastery of San Giovanni Evangelista in Pratovecchio.