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Winold Reiss (September 16, 1886 – August 23, 1953) was a German-born American artist and graphic designer. He was born in Karlsruhe, Germany. In 1913 he immigrated to the United States, where he was able to follow his interest in Native Americans. In 1920 he went West for the first time, working for a lengthy period on the Blackfeet ...
She was the subject of a pastel drawing by Winold Reiss, which appeared in Survey Graphic. [7] [24] In the last years of her life, she lived on Sugar Hill in West Harlem at The Garrison Apartments, 435 Convent Avenue, Apartment 33. [25] She died at her home there on June 10, 1971, at the age of 86.
The Winold Reiss industrial murals are a set of 16 tile mosaic murals displaying manufacturing in Cincinnati, Ohio. The works were created by Winold Reiss for Cincinnati Union Terminal from 1931 to 1932, and made up 11,908 of the 18,150 square feet of art in the terminal. [ 1 ]
Family and early life [ edit ] Born in Qingdao or Shanghai , China, Mary Jane Reiss was the youngest daughter of Hugo Reiss (1879–1931), [ 4 ] a prominent Jewish businessman who emigrated to the USA in 1896; [ 5 ] he was an executive at his family's British fabric-and-small-arms wholesale firm, G. Reiss & Co. Ltd. and served as Brazil's ...
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Timothy Stephen Wakefield (August 2, 1966 – October 1, 2023) was an American professional baseball knuckleball pitcher.Wakefield began his Major League Baseball (MLB) career with the Pittsburgh Pirates, but is most remembered for his 17-year tenure with the Boston Red Sox, from 1995 until his retirement in 2012 as the longest-serving player on the team, earning a total of $55 million. [1]
Winold Reiss: 1886–1953 Spent significant time in Montana; ashes spread by the Blackfeet along the eastern edge of Glacier National Park: Painter; made over 250 paintings of Native Americans, especially the Blackfeet [39] Charles Marion "C.M." Russell: 1864–1926 Moved to Montana at age 16; lived in Cascade, and Great Falls
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]