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George Washington Johnson (c. October 1846 – January 23, 1914) was an American singer and pioneer sound recording artist. Johnson was the first African American recording star of the phonograph . [ 1 ] [ 2 ] His most popular songs were "The Whistling Coon" and " The Laughing Song ".
Coon songs were a genre of music that presented a stereotype of Black people.They were popular in the United States and Australia from around 1880 [1] to 1920, [2] though the earliest such songs date from minstrel shows as far back as 1848, when they were not yet identified with the "coon" epithet. [3]
Some claim that the song was first sung by Frank Dumont "as the Duprez & Benedict's Minstrels programs, dated, will show" in 1870. [6] The song was first recorded by Corinne Morgan and Frank C. Stanley in 1905, and has been recorded since by many famous artists including opera tenors John McCormack in 1920 and Jan Peerce, early country singers Fiddlin' John Carson and Riley Puckett, country ...
January–June period – George W. Johnson becomes the first African American to record phonograph cylinders, in New York. June 21 – Richard Strauss conducts the premiere of his symphonic poem Death and Transfiguration at the Eisenach Festival. September 3 – Carl Nielsen makes the first entry in his diary.
Charles Leslie Johnson (December 3, 1876 - December 28, 1950) was an American composer of ragtime and popular music. He was born in Kansas City, Kansas , died in Kansas City, Missouri , and lived his entire life in those two cities.
"The Laughing Policeman" is a music hall song recorded by British artist Charles Penrose, initially published under the pseudonym Charles Jolly in 1922.It is an adaptation of "The Laughing Song" first recorded in 1890 by American singer George W. Johnson with the same tune and form, but the subject was changed from a "dandy darky" to a policeman.
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...