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Title Director Cast Genre Notes 1940: 21 Days: Basil Dean: Vivien Leigh, Laurence Olivier, Leslie Banks: Drama: Filmed in 1937 All at Sea: Herbert Smith: Sandy Powell, Kay Walsh, John Warwick
Pages in category "1940s in British cinema" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
The Chinese Bungalow (1940 film) Christmas Under Fire; Christopher Columbus (1949 film) Code of Scotland Yard; Colonel Bogey (film) The Common Touch; Conspirator (1949 film) Convoy (1940 film) Corridor of Mirrors (film) Counterblast; The Courtneys of Curzon Street; Crimes at the Dark House; Crook's Tour; Cup-tie Honeymoon; The Cure for Love ...
Sailors Don't Care (1940 film) The Sea Shall Not Have Them; The Shipbuilders; The Silent Enemy (1958 film) The Silent Village; Sink the Bismarck! The Sinking of the Laconia; Six Minutes to Midnight; The Small Back Room; The Snow Goose (film) So Little Time (film) Soft Beds, Hard Battles; Soldiers of the Damned; Souvenir (1989 film) Spitfire ...
Britain Can Take it: British Cinema in the Second World War. Edinburgh: Edinburgh University Press; Barr, Charles; Ed. 1986. All Our Yesterdays: 90 Years of British Cinema. London: British Film Institute; Murphy, Robert. 2000. British Cinema and the Second World War. London: Continuum
The Fighting 69th (1940) – action-adventure war film based upon the actual exploits of New York City's 69th Infantry Regiment during World War I [14] Forty Thousand Horsemen (1940) – Australian war film telling the story of the Australian Light Horse which operated in the desert at the Sinai and Palestine campaign during World War I [15]
Title Director Cast Genre Notes 49th Parallel: Michael Powell: Eric Portman, Laurence Olivier, Leslie Howard: World War II: An Airman's Letter to His Mother: Michael Powell: John Gielgud
This is a chronological list of films produced in the United Kingdom split by decade. There may be an overlap, particularly between British and American films which are sometimes co-produced; the list should attempt to document films which are either British produced or strongly associated with British culture.