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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White [14] of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field, a very important work in its own right to 20th century geometric abstraction.
In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale. [2]
The length and width of a typical zabuton is approximately 2 square feet (0.19 m 2) [2] to 3 square feet (0.28 m 2) [7] and usually an inch or two thick, [8] but can vary in thickness. [9] They are sometimes made with threaded embroidery [ 10 ] and tassels on the four corners and at the center of the zabuton, and often with a removable outer ...
Other terms include dansaekpa (monochromatic wave), "white painting," "monochrome painting" (translation used instead of the transliteration), and "monotone school." [ 3 ] : 12 Art historian Kim Mikyung has advocated for the replacement of Dansaekhwa with dansaek-jo hoehwa (monotone painting) to signal the artists' use of one tone of color ...
It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. [ 1 ] [ 2 ] [ 3 ] Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist ...