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Another major cultural development of the era was the permanent establishment of Buddhism. Buddhism was introduced by Baekje in the sixth century but had a mixed reception until the Nara period, when it was heartily embraced by Emperor Shōmu. Shōmu and his Fujiwara consort were fervent Buddhists and actively promoted the spread of Buddhism ...
Nara period: Nara: National Institutes for Cultural Heritage ... Nara: Nara Prefectural Museum of Art: 39.4 centimetres (15.5 in) by 107.3 centimetres (42.2 in) ...
Wall murals in the Takamatsuzuka Tomb, the Kitora Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style. Generally, Nara period paintings show religious subjects, and the artists are unknown. During that period, sculptures rather than paintings were more prevalent. [6]
The style is reminiscent of Chinese painting from the Sui dynasty or the late Sixteen Kingdoms period. However, by the mid-Nara period, paintings in the style of the Tang dynasty became very popular. These also include the wall murals in the Takamatsuzuka Tomb, dating from around 700 AD.
Thus, realism, a popularizing trend, and a classical revival characterize the art of the Kamakura period. In the Kamakura period, Kyoto and Nara remained the centres of artistic production and high culture. Sculpture: The Kei school of sculptors, particularly Unkei, created a new, more realistic style of sculpture.
During the Nara period, from 710 to 794, the government established and supported workshops called zōbussho, the most prominent of which was located in the capital Nara at Tōdai-ji, which produced Buddhist statuary. Clay, lacquer and wood, in addition to bronze, were used. Stylistically, the sculptures were influenced by the high Tang style ...
Azekura style of architecture on another store house at the Tōdai-ji Detail of the Shōsōin. The building is in the Azekura Zukuri log-cabin style, with a floor raised to about 2.5 m takayuka-shiki (高床式). [5] This is an architectural style that was mainly used for the construction of granaries and storehouses. Some distinctive features ...
The Kei school (慶派, Kei-ha) was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th.