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Fantasy-Sonata is a piece in E-flat major for clarinet and piano composed by John Ireland in 1943. The work is Ireland's only extant piece for solo clarinet and one of his last major compositions before his retirement. [1] It is dedicated to Frederick Thurston and was premiered by Thurston and Ireland in January 1944.
Unlike a standard piano trio or a concerto, there is no standard form for a composition for a clarinet–violin–piano trio: a piece can have any number of movements. Acoustically, the choice of a clarinet, violin, and piano is characteristic in that most chamber music (and most music in general) contains high ( soprano ), mid-range ( alto ...
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
First page of the autograph manuscript of the Kegelstatt Trio for clarinet, viola and piano by Mozart. A clarinet–viola–piano trio, often titled "Trio for Clarinet, Viola and Piano" is a work of chamber music that is scored for clarinet, viola, and piano; or is the designation for a musical ensemble of a group of three musicians playing these instruments.
Six Studies in English Folk Song; Sonata for Clarinet and Piano (Bernstein) Clarinet Sonatas (Brahms) Clarinet Sonata (Howells) Clarinet Sonata (Mendelssohn) Clarinet Sonata (Poulenc) Clarinet Sonata (Ries) Clarinet Sonata (Saint-Saëns) Clarinet Sonatina (Martinů)
The original composition was for clarinet and piano; Debussy published his own orchestration of the accompaniment in 1911, after the official premiere with Mimart. [ 2 ] In 1901, Debussy had been commissioned to write a work for alto saxophone and orchestra by Elise Hall , but never finished the 1903 draft during his lifetime.
Contrasts (Sz. 111, BB 116) is a 1938 composition scored for clarinet–violin–piano trio by Béla Bartók (1881–1945). It is based on Hungarian and Romanian dance melodies and has three movements with a combined duration of 17–20 minutes.
In addition to the solo clarinet, the work is scored for thirteen musicians, including a banjo player (who doubles on mandolin and guitar), a cor anglais, a bassoon, a trombone, piano, two sampling keyboards (loaded with samples that include accordion, clarinet, and cow), and strings. Adams has said “The three movements are each based on a ...