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Harry Bridges, influential labor leader in the mid-1900s, was "set afire" by Jack London's The Sea-Wolf and The Iron Heel. [6] Granville Hicks, reviewing Kurt Vonnegut's Player Piano, was reminded of The Iron Heel: "we are taken into the future and shown an America ruled by a tiny oligarchy, and here too there is a revolt that fails." [7]
The Iron Heel is an example of a dystopian novel that anticipates and influenced George Orwell's Nineteen Eighty-Four. [118] London's socialist politics are explicitly on display here. The Iron Heel meets the contemporary definition of soft science fiction. The Star Rover (1915) is also science fiction.
It featured in H. G. Wells's popular 1901 book Anticipations multiple times, along with the phrase "the People of the Abyss", [6] which he would use again in Chapter 3 of Mankind in the Making (1903). In 1907 London used the expression "the people of the abyss" in The Iron Heel, [7] a work of dystopian science fiction set in the United States. [8]
[13] [14] While The Iron Heel is a pro-socialist novel, some socialists take issue with that label due to the book's racism and pessimistic attitudes. [14] The 1969 novel The Spook Who Sat by the Door by black author Sam Greenlee is also seen as a possible influence on The Turner Diaries ; the release of its film adaption was controversial and ...
I have read at least two of his short stories which take place in the ruthless capitalist dominated world of the "Iron Heel" or its aftermath. The most interesting one takes place in a future where all of the planet has relapsed into barbarism as a result of a world wide plague.
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1812–13: Science of Logic, Part 1 (Books 1, 2) 1816: Science of Logic, Part 2 (Book 3) 1817: 'Review of Friedrich Heinrich Jacobi's Works, Volume Three' 1817: 'Assessment of the Proceedings of Estates Assembly of the Duchy of Württemberg in 1815 and 1816' 1817: Encyclopaedia of Philosophical Sciences, 1st edition; Berlin, 1818–31