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The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
Both Georgiev and Duridanov use the comparative linguistic method to decipher ancient Thracian and Dacian names, respectively.. Georgiev argues that one can reliably decipher the meaning of an ancient place-name in an unknown language by comparing it to its successor-names and to cognate place-names and words in other IE languages, both ancient and modern.
Dacian and the extinct Thracian language were members of a single dialect continuum; e.g., Baldi (1983) and Trask (2000). Dacian was a language distinct from Thracian but closely related to it, belonging to the same branch of the Indo-European family (a "Thraco-Dacian", or "Daco-Thracian" branch has been theorised by some linguists). [16]
The Dacians are generally considered to have been Thracian speakers, representing a cultural continuity from earlier Iron Age communities loosely termed Getic, [86] Since in one interpretation, Dacian is a variety of Thracian, for the reasons of convenience, the generic term ‘Daco-Thracian" is used, with "Dacian" reserved for the language or ...
Ostracon of Dacian cavalry recruited after the Roman conquest and stationed in East Egypt [12] Komakiza Koma-kiza / Koma-kissa is a name attested at Didymoi. [9] The endings term correspond to the Dacian king name Komosicus. [9] Komozoi Father of Daizus.
The Baltic classification of Dacian and Thracian was proposed by the Lithuanian polymath Jonas Basanavičius, referred to as "Patriarch of Lithuania", who insisted this is the most important work of his life and listed 600 identical words of Balts and Thracians [8] [9] [10] and was the first to investigate similarities in vocal traditions between Lithuanians and Bulgarians. [11]
The term is a directive to repeat the previous part of music, often used to save space, and thus is an easier way of saying to repeat the music from the beginning. In small pieces, this might be the same thing as a repeat. But in larger works, D.C. might occur after one or more repeats of small sections, indicating a return to the very beginning.