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Diorama of a lên đồng inside the Vietnamese Women's Museum, Hanoi The costume of god Chầu Đệ tam Thoải phủ in lên đồng ritual. The most prominent ritual of Đạo Mẫu is the ceremony of hầu bóng (lit.
The music video for "See Tình" was directed by Kawaii Tuấn Anh and written by Minh Châu. [ 6 ] [ 12 ] The video's fashion stylist was Hoàng Ku. [ 6 ] [ 8 ] [ 13 ] The video narratively follows the video for "Gieo Quẻ", the first single from the album Link , which was released on 1 January 2022.
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. [1]
"2 Phút Hơn" or "Hai Phút Hơn" (translates as "Over Two Minutes") is a 2020 Vinahouse house [1] song by Pháo. Several remixes of the song were made. [2] One by DJ/producer Kaiz was released on November 28, 2020, and gained global popularity, [3] [4] one of a number of Vietnamese songs to become popular on TikTok through its dance covers.
In the modern music industry, a mixtape is a musical project, typically with looser constraints than that of an album or extended play.Unlike the traditional album or extended play, mixtapes are labeled as laid-back projects that allow artists more creative freedom and less commercial pressure. [2]
A master recording is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, tapes, CDs, DVDs, Blu-rays).
The original version of the song, which appeared on the original release of Talk on Corners, is a slow doo-wop style song, which is much lighter. However, the Tin Tin Out remix, which later appeared on the album's special edition release, is more guitar riffed with the addition of orchestral strings in the latter half of the song performed by the Duke Quartet.