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With 34 stories, the collection spans centuries of short stories from Japan ranging from the early-twentieth-century works of Ryūnosuke Akutagawa and Jun'ichirō Tanizaki up to more modern works by Mieko Kawakami and Kazumi Saeki. The book features an introduction by Japanese writer and longtime Rubin collaborator Haruki Murakami. [1]
The book, which was written in 1871, forms an introduction to Japanese literature and culture, both through the stories, all adapted from Japanese sources, and Mitford's supplementary notes. Also included are Mitford's eyewitness accounts of a selection of Japanese rituals, ranging from harakiri and marriage to a selection of sermons.
Understanding Japanese woodblock-printed illustrated books: a short introduction to their history, bibliography and format, co-authored with Suzuki Jun (National Institute of Japanese Literature, Tokyo). Leiden: Brill, 2013.
The Pleasures of Japanese Literature is a short nonfiction work by Donald Keene, which deals with Japanese aesthetics and literature; it is intended to be less academic and encyclopedic than his other works dealing with Japanese literature such as Seeds in the Heart, but better as an introduction for students and laymen.
Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared. [ 13 ] [ 11 ] New genres such as renga , or linked verse, and Noh theater developed among the common people, [ 14 ] and setsuwa such as the Nihon Ryoiki were created by Buddhist priests for preaching.
Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
The Review of Japanese Culture and Society is an annual peer-reviewed academic journal covering Japanese art, literature, and society. It publishes English translations of Japanese works and perspectives from both Japanese and international scholars. Each of its annual issues is typically on a special theme, with special editors for the issue.
The Japanese version of the book was subsequently reviewed in the New York Times, with reviewer Emily Parker acknowledging the "simplification" of the Japanese language, particularly with the introduction of internet and mobile phone technologies, but also citing evidence that Japanese people as a whole were reading and writing more than ever ...