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Chelsea was known for its figures, initially mostly single standing figures of the Cries of London and other subjects. Many of these were very small by European standards, from about 2 + 1 ⁄ 2 to 3 + 1 ⁄ 2 inches (6 to 9 cm) high, overlapping with the category of "Chelsea Toys", for which the factory was famous in the 1750s and 1760s.
Gouyn helped Nicholas Sprimont (1716–1771) set up the Chelsea Porcelain Factory around 1745. But in about 1748 Gouyn severed his links with Sprimont and the Chelsea Porcelain Factory and set out to compete with his own 'Girl-in-a Swing' manufactory, so-called after a figure in the Victoria & Albert which has given its name to a whole class of ...
The reclining terracotta figure of Trump was reproduced in Chelsea porcelain in the late 1740s. Plaster casts were sold with Hogarth's possessions after his death in 1762. The Staffordshire potter Josiah Wedgwood made a version in his Black Basalt ware, using a cast bought in 1774 from the London plaster shop of Richard Parker.
For a friend like Thomas Hudson he was willing to sculpt figures of Painting and Sculpture to ornament a marble chimneypiece in Hudson's house in Great Queen Street, Lincoln's Inn Fields. [17] For his friend William Hogarth he even carved a portrait of Hogarth's dog "Trump"; [18] it was later repeated in Chelsea porcelain and Wedgwood. His ...
Candelabra x4, figures of patinated bronze, c. 1810 (The East Gallery, Buckingham Palace) ... Chelsea porcelain – Complete service finished in 1763 Sculpture.
Capodimonte porcelain soft-paste jar with three figures of Pulcinella from the commedia dell'arte, 1745–1750 Chelsea porcelain, England, about 1765. Soft-paste decorated in enamel colours with a gold anchor mark. V&A Museum no. 528-1902 [1] Victoria and Albert Museum, London