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[9] Moreover, Guarneri's instruments were recognized by a world-class soloist three decades before Stradivari's were likewise championed; by the 1750s, Gaetano Pugnani is known to have acquired and preferred a Giuseppe Guarneri del Gesù violin, but it is not until the 1780s that his pupil, Giovanni Battista Viotti, became an advocate of ...
The Guarneri (/ ɡ w ɑːr ˈ n ɛər i /, [1] [2] UK also /-ˈ n ɪər-/, [3] Italian: [ɡwarˈnɛːri]), often referred to in the Latinized form Guarnerius, is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families.
Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [ 1 ] Il Cannone is also known by the variants Il Cannone del Gesù , and the Cannon , often appended with Guarneri del Gesù , the Guarneri trademark.
A promising young violin maker named Antonio Stradivari was emerging, who in 1680 moved his workshop to the Piazza San Domenico, just a few metres away from the Casa Guarneri. [1] Because of this increasing local competition, by 1683, Pietro had moved to Mantua, leaving Giuseppe to work in their father's shop.
The Lord Wilton Guarnerius, sometimes called the ex-Yehudi Menuhin, [1] is an antique and valuable violin fabricated by Italian luthier Bartolomeo Giuseppe "del Gesù" Guarneri (1698–1744), usually called Guarneri del Gesù. The violin was made in 1742 in the city of Cremona. [2]
The Vieuxtemps Guarneri is a violin built by the renowned Italian instrument maker Giuseppe Guarneri around 1741. One of the last built by Bartolomeo Giuseppe Guarneri, this Guarneri del Gesù instrument gained its name after being owned by the Belgian 19th century violinist Henri Vieuxtemps.
Names like Amati, Guarneri, and Stradivari have become synonymous with excellence in craftsmanship and tone. Relatively unknown makers, capable of producing above-average violins, know that they might be able to command tremendous prices simply by affixing the label of one of these early makers to the instruments of their making.
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]