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Smack Up is a 1960 jazz album by saxophonist Art Pepper playing with trumpeter Jack Sheldon, pianist Pete Jolly, bassist Jimmy Bond and drummer Frank Butler. Leonard Feather 's sleeve notes include two quotes by Pepper which throw light on his approach to playing jazz:
Howard Harold Hanson (October 28, 1896 – February 26, 1981) [1] was an American composer, conductor, educator and music theorist.As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music.
The Gauss Speaker Company, later known as Cetec Gauss, was a Sun Valley loudspeaker company. They were approved by Fender Musical Instruments Corporation [ 1 ] and found widespread use among rock musicians of the 1960s through the 1990s [cite?] .
Download as PDF; Printable version; ... Interaction is an album by Art Farmer's Quartet featuring guitarist Jim ... Professional ratings; Review scores; Source Rating ...
Perception is an album by flugelhorn player Art Farmer's Quartet, featuring performances recorded in 1961 and originally released on the Argo label. [ 2 ] Background
In a review for The New York City Jazz Record, Andrey Henkin wrote: "The New York Art Quartet suffered in reputation next to other bands of the period... It only took nearly half a century but with Call It Art, the NYAQ has finally gotten the treatment it deserves." [7] Michael J. West, writing for Jazz Times, remarked: "Collectors will drool ...
The actual sessions had taken place in June 1953, December 1954, and January 1955, and (as Prestige Records had yet to enter the 12-inch LP era) were first released on two 10-inch albums, entitled Modern Jazz Quartet (PRLP 160, 1953, whose second side contained "The Queen's Fancy", "Delauney's Dilemma", "Autumn In New York" and "But Not For Me") and The Modern Jazz Quartet, Vol. 2 (PRLP 170 ...
Newport 1958 is a live album by pianist Dave Brubeck and his quartet recorded at the 1958 Newport Jazz Festival in Rhode Island of music by and associated with Duke Ellington. Several of the tracks were later re-recorded in New York City due to sound problems with the live Newport recordings.