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2. DV (video format) - Wikipedia

   en.wikipedia.org/wiki/DV_(video_format)

   DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV , DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8 , and Digital-S .

3. U-matic - Wikipedia

   en.wikipedia.org/wiki/U-matic

   S-format tapes could be played back in older top-loading standard U-Matic decks with the aid of an adapter (the KCA-1 from Sony) which fitted around an S-sized tape; newer front-loading machines can accept S-format tapes directly, as the tapes have a slot on the underside that rides along a tab.

4. Best Free PDF Editors of 2023 - AOL

   www.aol.com/best-free-pdf-editors-2023-204004606...

   PDF24 Creator offers a suite of tools for PC users to download so they can read, save, convert and edit PDFs. Because you download the software, files are not stored on the cloud, adding another ...

5. Type C videotape - Wikipedia

   en.wikipedia.org/wiki/Type_C_videotape

   1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcast television industries for the then-incumbent 2-inch quadruplex videotape (2-inch Quad for short) open-reel format.

6. D-1 (Sony) - Wikipedia

   en.wikipedia.org/wiki/D-1_(Sony)

   D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).

7. Offline editing - Wikipedia

   en.wikipedia.org/wiki/Offline_editing

   An editor would offline on a less expensive, low quality format, before entering the online editing suite with an EDL and master source tapes, to finish the broadcast quality version of the television show. Even after the transition to digital the concept is the same, with low resolution proxy files streaming from central media storage during ...