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Siyahamba (written down by Andries Van Tonder, and possibly composed by him, or possibly a Zulu folk song) is a South African hymn that became popular in North American churches in the 1990s. The title means "We Are Marching" or "We are Walking" in the Zulu language .
Music: Public domain Public domain false false The author died in 1928, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer .
The Werner Icking Music Archive (often abbreviated WIMA) is a web archive of liberally licensed sheet music of public domain music. The scores are electronically typeset by volunteers and distributed in PDF, often accompanied by their typesetting files. WIMA continues the defunct GMD Music Archive and is named after its founder, the late Werner ...
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Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Vexations piano score. Vexations is a musical work by Erik Satie.Apparently conceived for keyboard (although the single page of manuscript does not specify an instrument), it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...