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Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ...
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically). In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition". Thus, "D,C 49 ...
The New Harp of Columbia, Marcus Lafayette Swan (1867) The Temple Star, Aldine Silliman Kieffer (1877) The Olive Leaf, Dr. William Hauser (1878) The Good Old Songs, Elder C. H. Cayce (1913) Harp of Ages, Archibald Newton Whitten (1925) Favorite Songs and Hymns, Morris, Stamps, Baxter, Combs (1939) Heavenly Highway Hymns, Stamps-Baxter (1948/1976)
Fuguing tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing a cappella. George Pullen Jackson has described the fuguing tune as follows: In the fuging tune all the parts start together and proceed in rhythmic and harmonic unity usually for the space of four measures or one musical sentence.
UK Sacred Harp and Shapenote Singing – official UK site with events calendar, resources and contacts for all UK shapenote groups; Sacred Harp and Related Shape-Note Music Resources – an extensive site of resources concerning Sacred Harp, other Shape-Note music, Gallery music, etc.
His work is represented by 13 songs in the current 1991 "Denson" edition of The Sacred Harp, and by 12 in the "Cooper" edition. According to the collated minutes kept by the Sacred Harp Musical Heritage Association, [4] his song "Hallelujah" is sung more frequently at Sacred Harp conventions than is any other. The Walker songs are generally ...
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...
In 1850, he issued a second edition of The Sacred Harp, adding 97 songs and 103 pages. With the 1850 and future editions, White was assisted by a musical committee appointed by the Southern Musical Convention. In 1859, a third edition of The Sacred Harp was released, adding 74 more songs on 63 pages. A fourth edition came out in 1869.