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A gamelan gadhon is an ensemble consisting of the 'soft' instruments of the Javanese gamelan. [1] This can include rebab , gendér , gendér panerus , voice , slenthem , suling , siter , gong , kempul , kenong , and kendhang .
Gamelan angklung [1] Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding ...
Waldjinah at the 55th Tong Tong Fair at The Hague in 2013. Waldjinah (born 7 November 1945) is an Indonesian traditional singer. She is most known for the song "Walang Kekek", which made Javanese keroncong music known throughout Indonesia.
Man playing kenong in a gamelan orchestra (1966) The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the ...
Gamelan is played to support the atmosphere that Dalang (puppet master) wants to build in a wayang performance. Gamelan, which is the music accompanying the puppet show, is played in pelog or slendro tones according to the atmosphere of the scene being played. Gamelan music supports the delivery of values in wayang performances.
Langgam jawa is a regional form of Indonesian kroncong music most often associated with the city of Surakarta (Solo). As is the case with traditional kroncong music, langgam jawa utilizes a variety of non-native instruments, such as the flute , guitar , ukulele , cello and violin .
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
Irama is the term used for tempo in Indonesian gamelan in Java and Bali. It can be used with elaborating instruments. It can be used with elaborating instruments. It is a concept used in Javanese gamelan music, [ 2 ] describing melodic tempo and relationships in density between the balungan , elaborating instruments , and gong structure . [ 3 ]