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"Mary, Mary, Quite Contrary" is an English nursery rhyme. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed.
It uses samples of the nursery rhyme Mary, Mary, Quite Contrary as a continued play-on-words. The latter part of the song retells another traditional nursery rhyme, Jack and Jill, in a modernized fashion. It is in the key of F-sharp major, in a 2/2 time signature with an approximate tempo of 88 beats per minute. [3]
Oh, Mary! is a comedic stage play written and performed by American comedian Cole Escola. [1] The show opened on Broadway on July 11, 2024, at the Lyceum Theatre , transferring from its off-Broadway run at the Lucille Lortel Theatre , [ 2 ] earning universal critical acclaim.
Up two treacherous flights of stairs at the Lyceum Theatre, Cole Escola sits demurely in their dressing room, awaiting the delivery of a green smoothie. It’s a rare moment of downtime for the 37 ...
"Mary, Mary, quite contrary" inferes that Mary did not follow the social mores of the time. "How does your garden grow" - a garden party was a common social event of the time. "With silver bells" - a belle is a popular, attractive female. "And cockle shells" - cockle bread was known as an aphrodisiac.
"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album East-West. Nesmith's band, the Monkees, later recorded it for More of the Monkees (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts.
The first recording of the song was by the Fisk Jubilee Singers in 1915. [1] [5] The folklorist Alan Lomax recorded several traditional variants of the song in the 1930s, 40s and 50s across the United States, from Mississippi [6] to Ohio [7] to Michigan, [8] including one version by Huddie Ledbetter (Lead Belly) of Louisiana in 1935.
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.