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Author Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement of a rock song." [ 4 ] BBC Radio 2 , in compiling its list of 100 Greatest Guitar Riffs, defined a riff as the "main hook of a song", often beginning the song, and is "repeated ...
[6] [7] Some of the instruments play a descending melody, which music lecturers Ben Urish and Ken Bielen regard as invoking the sound of falling snow, while a guitar plays a gentle ascending riff. [7] Late in the song, Urish and Bielen hear a few measures that they feel sound similar to the Beatles' "Sun King," written by Lennon. [7]
Total Guitar magazine ranked the song's riff number 4 on its "Greatest Guitar Riffs Ever" list, [6] and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks. [7] In 2017, the song was inducted into the Grammy Hall of Fame. [8]
The song is driven by a riff that resembles the sound of a bass guitar. [14] To create this sound, White connected a semi-acoustic guitar to a DigiTech Whammy pedal (a pitch shift effect), lowering the pitch by an octave. [3] The riff uses five pitches and consists of seven notes; it begins with a held note followed by four syncopated notes ...
Barry's guitar strumming has a smoother version of Kool and the Gang's signature chicka-chicka and funky Nassau version of KC and the Sunshine Band's Caribbean strumming. [ citation needed ] The song's rhythm riff perhaps resembles the riff from " Shirley & Company 's " Shame, Shame, Shame ", with a prominent use of the Bo Diddley beat .
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
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Critics from the German music website Planet Guitar called Clapton's cover a "raw blues rock tune with a lot of Clapton guitar riffs and licks". [8] Journalist Simon Warner of PopMatters liked "the rolling Southern boogie of J.J. Cale's 'Travelin' Light', leavened somewhat by the vocal backing of the Impressions". [9]