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cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
SATB and piano; text based on love songs by American woman poets. May Sky (1997) SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita. Reasons for Loving Harmonica (1997) SATB and piano; text by Julie Kane. Density of Light (1998) SATB, treble choir, brass; text by Thomas H. Troeger. Ring the Bells (1998)
SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem. [6] or SSATB, with divided sopranos, is a typical scoring in English church music. [5]: 322 [7] A listing for Bach's Mass in B minor includes the maximum of SSATB soloists and SSAATTBB eight-part choir and also indicates that it contains choral movements for ...
Litany á 4 (SATB) – Fragmentary, and a doubtful work; If trickling tears – Fragmentary; In tower most high – Fragmentary; I will give laud – Fragmentary; Jubilate Deo, omnis terra – Fragmentary, and a doubtful work; Look and bow down – Fragmentary; Oh happy thrice – Fragmentary; O trifling days – Fragmentary; Preces Deo ...
Fly Away I, for SATB chorus, premiered by the International Orange Chorale of San Francisco in June 2012. Partita for 8 Voices, four pieces for eight singers, written 2009–2011 for Roomful of Teeth, premiered as a whole on November 4, 2013, winner of the 2013 Pulitzer Prize for Music. [1]