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Typography utilized to characterize text: Typography is intended to reveal the character of the text. Through the use of typography, a body of text can instantaneously reveal the mood the author intends to convey to its readers. The message that a body of text conveys has a direct relationship with the typeface that is chosen.
Prior to the advent of macOS, the classic Mac OS system regarded the content of a file (the data fork) to be a text file when its resource fork indicated that the type of the file was "TEXT". [7] Lines of classic Mac OS text files are terminated with CR characters. [8] Being a Unix-like system, macOS uses Unix format for text files. [8]
Kana for use alongside alphabets, without grid typography Ruby Notation Forms: ruby: S1 Ruby characters, small print Horizontal Kana Alternates: hkna: S1 Alternate forms for horizontal kana text, e.g. ー for chōonpu instead of ｜, cf. vkna: Vertical Kana: vkna: S1 Alternate Japanese kana forms for vertical text, e.g. ｜ for chōonpu instead ...
Typographical symbols and punctuation marks are marks and symbols used in typography with a variety of purposes such as to help with legibility and accessibility, or to identify special cases. This list gives those most commonly encountered with Latin script .
OpenType uses the general sfnt structure of a TrueType font, but it adds several smartfont options that enhance the font's typographic and language support capabilities. The glyph outline data in an OpenType font may be in one of two formats: either TrueType format outlines in a 'glyf' table, or Compact Font Format (CFF) outlines in a 'CFF ' table.
For example, the user could have several text files all with the type code of TEXT, but each open in a different program, due to having differing creator codes. This feature was intended so that, for example, human-readable plain-text files could be opened in a general-purpose text editor, while programming or HTML code files would open in a ...
For example, the grapheme à requires two glyphs: the basic a and the grave accent `. In general, a diacritic is regarded as a glyph, [ 2 ] even if it is contiguous with the rest of the character like a cedilla in French , Catalan or Portuguese , the ogonek in several languages, or the stroke on a Polish " Ł ".
The font shown in the example is stressed; this means that strokes have varying widths. In this example, the stroke at the top of the "g" is thinner at the top and bottom than on the sides – a vertical stress. Fonts without any variation in the stroke width are known as monoline fonts.