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A Bengali bride in London with hands decorated with mehndi and bangles Mehndi applied on the palms Mehndi applied on the backs of the hand. Mehndi (pronunciation ⓘ) is a form of temporary skin decoration using a paste created with henna. In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo. [1] Mehndi ...
This forms the basic design which is outlined in white on the wall of the mosque. That design, however, is overlaid with an intersecting tracery in blue around tiles of other colours, forming an elaborate pattern that partially conceals the original and underlying design. [16] [17] A similar design forms the logo of the Mohammed Ali Research ...
A hanging hamsa in Tunisia. The hamsa (Arabic: خمسة, romanized: khamsa, lit. 'five', referring to images of 'the five fingers of the hand'), [1] [2] [3] also known as the hand of Fatima, [4] is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings.
An elderly Bengali man in Dhaka with a beard dyed in henna. Henna is a reddish dye prepared from the dried and powdered leaves of the henna tree. [1] It has been used since at least the ancient Egyptian period as a hair and body dye, notably in the temporary body art of mehndi (or "henna tattoo") resulting from the staining of the skin using dyes from the henna plant.
Mehndi artists are called to the houses of the boy and girl and apply mehendi to the palms of the female family members, groom and the hands and feet of the bride. A basket containing Bindi and bangles is handed around so girls can choose those that match the outfit they plan to wear to the wedding.
The first function is Mehndi in which the families get together and celebrate the upcoming wedding function. On this day, it is customary to wear either green, yellow, orange, or other vibrant colors. The bride-to-be gets her hands painted with henna, and songs and dances go on throughout the night.
Al Sadu, or simply Sadu, describes an embroidery form in geometrical shapes hand-woven by Bedouin people. Sadu House in Kuwait was established by the Al Sadu Society in 1980 to protect the interests of the Bedouins and Sadu weaving.
Dancing woman wearing dupatta, detail from Kalpa Sutra manuscript, c.1300s. Early evidence of the dupatta can be traced to the Indus valley civilization, where the sculpture of a priest-king whose left shoulder is covered with some kind of a shawl-like scarf suggests that the use of the dupatta dates back to this early Indic culture.