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James Anthony McGinlay (born 9 March 1949 in Lennoxtown, Stirlingshire, Scotland) [1] [2] is a Scottish bass guitarist who formed along his elder brother Kevin a hard-rock band called Salvation, in Glasgow, which after numerous line-up changes included Midge Ure, future Ultravox frontman and Live 8 contributor, Billy McIsaac and Kenny Hyslop.
Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites. Tab may be given as the only notation (as with chord tab in songbooks that only include lyrics and chords), or, as with guitar solo transcriptions, tab and standard notation may be ...
Basshunter performing live in Halmstad, 20 April 2008 Basshunter is a Swedish singer, record producer and DJ. He has recorded over 100 songs for five studio albums and two compilation albums. [a] His first album, The Bassmachine, was released on 25 August 2004. He made his music available for free as internet downloads on platforms such as chat channels and gaming websites. In 2006, he signed ...
"Salvation" is the lead single from Irish rock band the Cranberries' third studio album, To the Faithful Departed (1996). Released on 8 April 1996 by Island Records, the single reached number one on the US Billboard Modern Rock Tracks chart for four weeks and was a chart hit in Europe and Australia, peaking at number four in Iceland, number six in Italy, number seven in New Zealand, and number ...
"Salvation" is a song recorded by British singer-songwriter Gabrielle Aplin and released as the fifth single from her debut studio album English Rain (2013). The song was released in the United Kingdom as a digital download on 12 January 2014 through Parlophone .
"Salvation" is a song by Austrian singer, songwriter and musician GuGabriel. The song was released in Austria as a digital download on July 7, 2012. The song has peaked to number 19 on the Austrian Singles Chart .
Editors at Pitchfork chose this as Best New Music of the week, with critic Sam Sodomsky giving it an 8.5 out of 10 for "exploding death metal into atmospheric and experimental new dimensions", cautioning readers that the overwhelming emotional heft of the music can have "the cumulative effect is intense and a little dangerous if you are in the wrong mood". [1]