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Roland also makes acoustic drum triggers, which can be mounted on the rims of standard acoustic drums to provide trigger signals from those drums, effectively turning them into trigger pads. The acoustic drumhead can either be left on the drum, to get the acoustic sound as well as a trigger signal, or the drumhead can be replaced with a mesh ...
A snare drum trigger, for example, will often have two channels, one each for the rim and head, while a tom-tom drum trigger usually needs to only register strokes to the drum head. Drum triggers gained great attention in the beginning of the 1990s, being extensively used on bass drums in heavy metal music.
The Roland DDR-30 has 6-voices: a bass, a snare, and four toms. Each voice has four 12-bit PCM digital sampled sounds. [1] These sounds can be modified by 16 parameters, saved as drum patch presets, and combined into drum kits. The parameters are combined into edit groups, including Attack, Decay, Pitch, EQ, Bend, and Gate. [6]
The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized (Roland, Yamaha, Alesis, for example) or specialized acoustic/electronic cymbals (e.g. Zildjian's "Gen 16 ...
The newly designed kit employed mesh heads - the first in the Simmons line to do so - which were tensioned with a standard drum key. The pre-programmed sound bank included classic acoustic kit samples, sounds pulled from vintage Simmons kits such as the SDS-5, as well as world percussion and effect sounds (e.g. handclaps, cowbell, etc.).
Electronic drum modules are included with most complete electronic drum kits (which include a drum module and a set of drum pads). Electronic drum modules can also be purchased as stand-alone units. In this case, the performer must also purchase drum pads and/or triggers which she can attach to regular acoustic drums.