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In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...
A camera trap set up in the field with receiver of the IR signal shown in the inset. In the field this is placed so that the beam is interrupted by the potential subject/animal to be captured. Scheme of camera trap operation with the active infrared sensor (AIR) as above. T - transmitter (emitter), R - receiver (detector), IR - infrared beam. [1]
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice ...
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
Diagram showing a single-camera setup. In filmmaking, television production and video production, the single-camera setup or single-camera mode of production (also known as portable single crew, portable single camera or single-cam) is a method in which all of the various shots and camera angles are taken using the same camera.
A remote camera, also known as a trail camera or game camera, is a camera placed by a photographer in areas where the photographer generally cannot be at the camera to snap the shutter. This includes areas with limited access, tight spaces where a person is not allowed, or just another angle so that the photographer can simultaneously take ...