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Ohara Koson, around the age of 53. Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements.
Scene: Canada geese (2) in flight. Great White Herons, etching: 1923: Pennsylvania Academy of the Fine Arts, Philadelphia, PA: Benson, adept at capturing light in his paintings, demonstrates that skill in the creation of the etching Great White Herons. Benson "shows these graceful creatures in flight, the sunlight playing on their wide, white ...
One of the leading schools of early modern Japanese painting, the Maruyama style was based on the realistic sensibilities of the emerging townships of Kyoto in the mid-18th century and had a major influence on Japanese painting with its new style that fused realism with traditional decorative elements. It is characterised by the use of a ...
Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...
Stephen Parrish (1846 – 1938) was an American painter and etcher who became one of the 19th century's most celebrated printmakers during the "American Etching Revival." [1] [2] Privately trained by painter and animal etcher Peter Moran, Parrish was best known for his landscape etching of "Eastern North America, particularly the harbors and villages of New England and Canada," and as the ...