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Don Juan DeMarco is a 1995 American romantic comedy-drama film starring Johnny Depp as John Arnold DeMarco, a man who believes himself to be Don Juan, the greatest lover in the world. Clad in a cape and domino mask , DeMarco undergoes psychiatric treatment with Marlon Brando 's character, Dr. Jack Mickler, to cure him of his apparent delusion.
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
The Shipwreck of Don Juan is an 1840 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from Lord Byron epic poem Don Juan. [2] Don Juan and others are adrift in the Mediterranean in a ship's boat following a shipwreck. It was exhibited at the Salon of 1841.
Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
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Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. [ 4 ]
The second, A Structural Analysis, is an attempt, Castaneda says, at "disclos[ing] the internal cohesion and the cogency of don Juan’s Teachings." [3] The 30th-anniversary edition, published by the University of California Press in 1998, contains commentary by Castaneda not present in the original edition.