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Opening bars of Nocturne No. 19 in E minor. The Nocturne in E minor, Op. posth. 72 No. 1, WN 23, was composed by Frédéric Chopin for solo piano in 1826. [1] It was Chopin's first composed nocturne, although it was the nineteenth to be published, in 1855, along with two other early works: a funeral march in C minor and three écossaises.
The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole.
Chopin at 25, by Maria Wodzińska, 1835. Most of Frédéric Chopin's compositions were for solo piano, though he did compose several pieces for piano and orchestra (including two piano concertos) as well as some chamber works that include other instruments.
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
The first nocturnes to be written under the specific title were by the Irish composer John Field, [3] generally viewed as the father of the Romantic nocturne that characteristically features a cantabile melody over an arpeggiated, even guitar-like accompaniment. However, the most famous exponent of the form was Frédéric Chopin, who wrote 21 ...
Musicologist Erinn Knyt writes: "In the nineteenth century Chopin and his music were commonly viewed as effeminate, androgynous, childish, sickly, and 'ethnically other. ' " [239] Music historian Jeffrey Kallberg says that in Chopin's time, "listeners to the genre of the piano nocturne often couched their reactions in feminine imagery", and he ...
Nocturne in E minor, Op. posth. 72 (Chopin) Nocturne in C minor, Op. posth. (Chopin) Nocturne in C-sharp minor, Op. posth. (Chopin) This page was last edited on 1 ...