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"You Don't Mess Around with Jim" is a 1972 strophic (all verses have the same tune) story song by Jim Croce from his album of the same name. [3] It was Croce's debut single, released on ABC Records as ABC-11328. ABC Records promotion man Marty Kupps took it to KHJ 930 AM in Los Angeles, CA where it first aired. It made the KHJ "30" chart (at ...
The song is notable for the line, "You don't tug on Superman's cape/You don't spit into the wind/You don't pull the mask off that ol' Lone Ranger/And you don't mess around with Jim." However, after the song ends with Jim being thoroughly thrashed by his victim ("he'd been cut 'n 'bout a hundred places/ and he'd been shot in a couple more"), the ...
The emphasis is increasingly on "we're all in the same boat," "don't rock the craft," "don't spit into the wind," and "don't disregard the traffic signals." Perhaps nineteenth-century America came as close as any economy ever has to that state of laissez faire which Carlyle called "anarchy plus the constable."
These are the best funny quotes to make you laugh about life, aging, family, work, and even nature. Enjoy quips from comedy greats like Bob Hope, Robin Williams, and more.
Episode 2.20 "You Don't Tug on Superman's Cape...You Don't Spit into the Wind...You Don't Pull the Mask off the Ol' Lone Ranger...And You Don't Mess Around with Big Bertha Muffin" with Kitsis; Fantasy Island, 1998–1999 Episode 1.02 "Superfriends" with Edward Kitsis; Episode 1.08 "Handymen" with Kitsis; Episode 1.12 "The Real Thing" with Kitsis
Vivien Leigh, who played Scarlett O'Hara in "Gone with the Wind," died in 1967 at age 53 from tuberculosis. She also starred in "A Streetcar Named Desire" with Marlon Brando.
Norwich winger Borja Sainz was banned for six matches Friday after admitting that he spit at an opponent during a game in December. The 23-year-old Spaniard, who leads the second division in ...
The emphasis is increasingly on "we're all in the same boat," "don't rock the craft," "don't spit into the wind," and "don't disregard the traffic signals." Perhaps nineteenth-century America came as close as any economy ever has to that state of laissez faire which Carlyle called "anarchy plus the constable."