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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
In the Tang dynasty (618–907), Chinese lacquerware saw a new style marked by the use of sheets of gold or silver made in various shapes, such as birds, animals, and flowers. [13] The cut-outs were affixed onto the surface of the lacquerware, after which new layers of lacquer were applied, dried, and then ground away, so the surface could be ...
At the height of its popularity, richly decorated japanned ware was to be seen in every middle-class home, but from the mid-19th century, this began to change. By the 1880s, the japanning and tin-plate industries were in decline. This was due partly to changes in fashion and taste and partly due to the development of electroplating.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
The result is similar but softer than the Chinese or Japanese lacquer. Burmese lacquer sets slower, and is painted by craftsmen's hands without using brushes. Raw lacquer can be "coloured" by the addition of small amounts of iron oxides, giving red or black depending on the oxide. There is some evidence that its use is even older than 8,000 ...
At its best Vernis Martin has a sheen, polish, and translucence which compel admiration. Every variety of Asian lacquer of the Far East was imitated and often improved upon by the Martins—the black with raised gold ornaments, the red, and finally in the green ground, powdered with gold, they reached the high-water mark of their art.