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In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
Many musical terms are in Italian because, in Europe, ... Slow tempo Tempo: time: The speed of music; e.g. 120 ...
A musical form in which a certain section returns repeatedly, interspersed with other sections: ABACA is a typical structure or ABACABA roulade (Fr.) A rolling (i.e. a florid vocal phrase) rubato Stolen, robbed (i.e. flexible in tempo), applied to notes within a musical phrase for expressive effect ruhig (Ger.) Calm, peaceful run
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The term morendo ("dying") may also denote a gradual reduction in both dynamics and tempo. For pronounced dynamic shifts, cresc. molto and dim. molto are commonly used, with molto meaning "much". Conversely, poco cresc. and poco dim. indicate gentler changes, with "poco" translating to a little , or alternatively poco a poco meaning "little by ...
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
While today the term grave is widely understood to be slower than the tempo terms largo and adagio, music theorists and composers of the 17th and 18th century were not so consistent in their interpretation and use of these terms, with some composers marking scores with grave but with performance descriptions described elsewhere that would ...