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Organic architecture is a philosophy of architecture which promotes harmony between human habitation and the natural world. This is achieved through design approaches that aim to be sympathetic and well-integrated with a site, so buildings, furnishings, and surroundings become part of a unified, interrelated composition.
Blobitecture (from blob architecture), blobism and blobismus are terms for a movement in architecture in which buildings have an organic, amoeba-shaped building form. [1] Though the term blob architecture was already in vogue in the mid-1990s, the word blobitecture first appeared in print in 2002, in William Safire 's "On Language" column in ...
Geometric shapes are precise edged and mathematically consistent curves, [citation needed] they are pure forms and so consist of circles, squares, spirals, triangles, while geometric forms are simple volumes, such as cubes, cylinders, and pyramids. [3] They generally dominate architecture, technology, industry and crystalline structures.
Although many models have been developed in geography and urban planning fields, encompassing assorted complexities one which holds its widely used and early status is the concentric zone model. [10] The concentric Zone Model provided a stylized description of the urban form, derived from Ernest Burgess's 1920's idea: the bid-rent curve.
Biophilic learning space at Ohalo College in Israel.. Biophilic design is a concept used within the building industry to increase occupant connectivity to the natural environment through the use of direct nature, indirect nature, and space and place conditions.
Taken to its extreme it attempts to force naturally occurring shapes onto functional devices. [1] In his search for architectural reform the French architecte Viollet le Duc is the first to express this idea clearly : Like a botanist, Viollet le Duc analyzes details of nature in his books, subsequently making them undergo metamorphoses. [2]
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
A Pattern Language: Towns, Buildings, Construction is a 1977 book on architecture, urban design, and community livability.It was authored by Christopher Alexander, Sara Ishikawa and Murray Silverstein of the Center for Environmental Structure of Berkeley, California, with writing credits also to Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel.