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After a flood - "it is well known that carrot-nibblers with long ears cause floods" - the wolves decide to imprison the rabbits, "for their own good". Weeks later the other animals notice the absence of the rabbits and ask the wolves about them. The wolves answer that it is "a purely internal matter" (because they ate the rabbits).
An illustration of the fable by J.M.Condé, 1905. The Dog and the Wolf is one of Aesop's Fables, numbered 346 in the Perry Index. [1] It has been popular since antiquity as an object lesson of how freedom should not be exchanged for comfort or financial gain. An alternative fable with the same moral concerning different animals is less well known.
"The Wolf accusing the Fox before the Monkey" from La Fontaine's collection Fables. An animal tale or beast fable generally consists of a short story or poem in which animals talk. They may exhibit other anthropomorphic qualities as well, such as living in a human-like society. It is a traditional form of allegorical writing. [1]
Articles relating to fables, succinct fictional stories, in prose or verse, that feature animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrate or lead to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim.
The animals sick of the plague (in French Les animaux malades de la peste) [1] is a dark fable by Jean de la Fontaine about the inequality of justice. It was published in 1678 at the head of his second volume of Fables (VII.1) and is generally considered one of his best.
In 1953 the fable was adapted to a two-minute animated cartoon ending with an advertisement for Coca-Cola as a promoter of friendship. [26] The National Film Board of Canada (NFB) twice adapted the story. As The Bear and the Mouse it was issued as a short feature film in 1966 using real animals with voice-over.
The Panchatantra, a collection of Indian animal fables, is another early example. Both use talking animals for didactic purposes. [4] More recent fables like Sarah Trimmer’s History of the Robins (1786) use talking animals to instruct children on how to behave in society as well as how to maintain the social order. [4]
The Monkey and the Cat is best known as a fable adapted by Jean de La Fontaine under the title Le Singe et le Chat that appeared in the second collection of his Fables in 1679 (IX.17). It is the source of popular idioms in both English and French, with the general meaning of being the dupe (or tool) of another (e.g., a cat's-paw ).