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In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Many poets have attempted to write dactylic hexameters in English, though few works composed in the meter have stood the test of time. Most such works are accentual rather than quantitative. Perhaps the most famous is Longfellow's "Evangeline", whose first lines are as follows: "This is the / forest pri/meval.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet".
Although the rules seem simple, it is hard to use classical hexameter in English, because English is a stress-timed language that condenses vowels and consonants between stressed syllables, while hexameter relies on the regular timing of the phonetic sounds. Languages having the latter properties (i.e., languages that are not stress-timed ...
In modern English poetry, it refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; iambic tetrameter is a line comprising four iambs, defined by accent. The scheme is thus: x / x / x / x / (In this case, "x" is an unstressed syllable while "/" is a stressed syllable.)
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The following first verse from "The Raven" shows the use of trochaic octameter. Note the heavy use of dactyls in the second and fifth line, which help to emphasize the more regular lines, and the use of strong accents to end the second, fourth and fifth lines, reinforcing the rhyme: