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The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs; a wordless chorus joins in for the last reprise. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God.
Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of act 2, is an oft-performed concert music piece; it has been arranged for many different instruments. The role of Thaïs, similar to another Massenet heroine also written for Sibyl Sanderson , Esclarmonde , is notoriously difficult to sing and is reserved ...
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Meditation from Thais (violin and harp) (Baron) Menuet d'Amour from Therese (Heugel) Mendelssohn: On Wings of Song (harp duo) (Lyra) Spinning Song (harp duo) (Lyra) Spring Song (Schirmer) Sweet Remembrance (Songs Without Words, no. 1) (Fischer) Wedding March (Elkan-Vogel) Meyerbeer: Coronation March from Le Prophete (Elkan-Vogel)
Wilstach's Thais is a play performed at the Criterion Theatre in London, March 14 through April, 1911 (31 performances). Written by the American Paul Wilstach (1870-1952), it starred Constance Collier (1878–1955) playing the title role and Tyrone Power, Sr. (1869–1931) as the hermit. Earlier the play had a trial run in Boston.
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
Meditation (from Thais) Mozart Domine Jesu (from Requiem K626) Rachmaninov Piano Concerto No.2 in C minor (2nd mvmt) Weelkes: When David Heard 28 Oct 1995 Elizabeth Esteve-Coll: Trad. Sicilian Peasant Songs Bella Ciao Trad. Spanish arr. G. Tarrago El Rossinyol Mozart Quintet for piano and wind, K452 (Larghetto) Britten Sanctus from War Requiem
Many composers were fascinated by his sound and way of playing, among whom René Leibowitz who dedicated his Violin Concerto, Op. 50 (1958) to him; Roman Haubenstock-Ramati with "Sequences" for Violin and Orchestra (1958); Bruno Maderna writing "Pièce pour Ivry" (1971), which Gitlis never recorded commercially, but recorded live in Paris on 25 ...