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The solo violin part is generally played by the orchestra's concertmaster in an opera setting, or by a featured soloist standing in front of the orchestra in a concert setting. The SATB chorus is indicated by Massenet to be sung by the entire chorus from behind the curtain in an opera setting, and by four to eight soloists seated among the ...
The Méditation for solo violin and orchestra, from Thaïs, is possibly the best known non-vocal piece by Massenet, and appears on many recordings. [87] Another popular stand-alone orchestral piece from the operas is Le dernier sommeil de la Vierge from La Vierge, which has featured on numerous discs since the middle of the 20th century. [88]
Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of act 2, is an oft-performed concert music piece; it has been arranged for many different instruments. The role of Thaïs, similar to another Massenet heroine also written for Sibyl Sanderson , Esclarmonde , is notoriously difficult to sing and is reserved ...
Meditation from Thais (violin and harp) (Baron) Menuet d'Amour from Therese (Heugel) Mendelssohn: On Wings of Song (harp duo) (Lyra) Spinning Song (harp duo) (Lyra) Spring Song (Schirmer) Sweet Remembrance (Songs Without Words, no. 1) (Fischer) Wedding March (Elkan-Vogel) Meyerbeer: Coronation March from Le Prophete (Elkan-Vogel)
Kinga Augustyn, Violin; Violin Concertos (Centaur Records 2017) Max Bruch: Violin Concerto No. 1; Felix Mendelssohn: Violin Concerto; Jules Massenet: Meditation from Thais; Kinga Augustyn, Violin; Janáček Philharmonic Orchestra, Jakub Klecker, conductor; Georg Philipp Telemann: 12 Fantasias for Solo Violin (Centaur Records 2018) Kinga ...
Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt; Violin Concerto No. 2 in D minor "in the Hungarian manner", Op. 11 (1861) Violin Concerto No. 3 in G major, WoO (1875) David Johnstone. The Four Seasons, for Violin solo and string orchestra (pub. 2008)
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Wilstach's Thais is a play performed at the Criterion Theatre in London, March 14 through April, 1911 (31 performances). Written by the American Paul Wilstach (1870-1952), it starred Constance Collier (1878–1955) playing the title role and Tyrone Power, Sr. (1869–1931) as the hermit. Earlier the play had a trial run in Boston.