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Egyptian faience is a non-clay based ceramic composed of crushed quartz or sand, with small amounts of calcite lime and a mixture of alkalis, displaying surface vitrification due to the soda lime silica glaze often containing copper pigments to create a bright blue-green luster. [7]
An important classification system for Egyptian pottery is the Vienna system, which was developed by Dorothea Arnold, Manfred Bietak, Janine Bourriau, Helen and Jean Jacquet, and Hans-Åke Nordström at a meeting in Vienna in 1980. Seriation of Egyptian pottery has proven useful for the relative chronology of ancient Egypt.
With a white glaze, these were able to imitate porcelains both from East Asia and Europe. Amongst the most complicated earthenware ever made are the life-size Yixian glazed pottery luohans of the Liao dynasty (907–1125), Saint-Porchaire ware of the mid-16th century, apparently made for the French court and the life-size majolica peacocks by ...
Glazed Egyptian faience dates to the third millennium BCE), with painted but unglazed pottery used even earlier during the predynastic Naqada culture. Faience became sophisticated and produced on a large scale, using moulds as well modelling, and later also throwing on the wheel. Several methods of glazing were developed, but colours remained ...
Blue faience saucer and stand, New Kingdom (1400–1325 BC) Egyptian blue is closely related to the other vitreous materials produced by the ancient Egyptians, namely glass and Egyptian faience, and it is possible that the Egyptians did not employ separate terms to distinguish the three products from one another. [9]
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Composite body, painted, and glazed bottle. Iran, 16th century (Metropolitan Museum of Art) Detail of dripping rice-straw ash glaze (top), Japan, 1852. Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants. [1]
Related to glass insofar as it attains a "vitreous" appearance, Egyptian faience was, according to David F. Grose, "a material made from powdered quartz covered with a true vitreous coating." Significantly more porous and malleable than glass proper, faience could be shaped by hand or cast in molds to create vessels or other objects. [4]