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Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei, a part of the Mass, for mixed chorus with optional organ or piano accompaniment. The music, in B-flat minor, has a duration of about eight minutes.
Agnus Dei (1981) Polish Requiem (1980–84, revised and expanded 1993, expanded 2005 after Pope John Paul II's death) Song of the Cherubim (1986) Veni creator (1987) Benedicamus Domino (1992) Benedictus (1993) Agnus Dei (1995, for the Requiem of Reconciliation) De Profundis (1996) Hymne an den heiligen Daniel (1997) Hymne an den heiligen ...
The closing "Agnus Dei", with 60 voices in five groups of 12, has more independent parts than any other polyphonic composition of the Renaissance. It begins with all sixty voices entering, one after another, in imitation; once they have all entered, they all sing until the end of the piece, forming a climax to the entire work. [15]
Agnus Dei (in three sections: I, II, III) Agnus Dei (II) from Missa l'homme armé super voces musicales. The entire Agnus Dei II consists of a three-part mensuration canon. The middle voice is the slowest; the lowest voice sings at twice the speed of the middle voice, and the top voice at three times the speed.
In the Four-Part Mass it consists of a four-note figure D-G-Bb-A (Kyrie) changing to D-A-C-Bb in the other movements. In the Sanctus the B flat strikingly changes to a B natural, producing an unexpected major chord at a key point in the music. A special feature of the mass (as also of the Five-Part Mass) is the final clause of the Agnus Dei.
Dona nobis pacem (Latin for "Grant us peace") is a phrase in the Agnus Dei section of the mass. The phrase, in isolation, has been appropriated for a number of musical works, which include: The phrase, in isolation, has been appropriated for a number of musical works, which include: